Archive Page 2

13
Aug
10

Stating the obvious: it’s hot.

This was taken a few weeks ago, on what was then the hottest day of the year. But by now, everyone would have been used to 38-40 degrees Celsius (100 – 105 degrees Farenheit) weather in Shanghai.

Yes, it’s an oven outside and it’s going to stay that way for a few more weeks. Walking along the streets, you can see the heat eminating from the asphalt, creating sporadic mirages. The sun sears your skin, and each gulp of hot and humid air is worse than the next.

Yet the cruel weather does little to deter tourists headed for the Expo. They come in droves, jostling in lines and panting by the many mobile water coolers on the Expo grounds. Lethargic individuals sprawl on the grass, pavements and benches. Others fan themselves furiously, only to break out in more sweat from the futile activity.

This is the main “Sun Valley”of the Expo Axis, a 1km long elevated pedestrian walk that connects 6 “Sun Valley” horn-like structures. Located next to the China Pavillion, it is lit up with a moving LED video and stands in front of a reflecting pool. Brilliantly thought through in terms of design for night time, it is one of the most widely photographed piece of architecture at the Expo.

Given the heat, the shallow reflecting pool is also a great way to cool off, and families would throng and splash their way through the area. I saw a child lie down on her back in the shallow water, staring into the sky with a most contented look on her face. For a moment, I was most tempted to follow.

Instead, I reached for a cold beer. That will serve as a respite, for now.

July 2010

11
Aug
10

Behind the Camera: Tim Franco on Photographing Urban Shanghai

Tim Franco is a Franco-Polish photographer based in Shanghai, working mainly with analog film cameras, particularly on large formats. Among his projects is a comprehensive depiction of the growth of the alternative music scene in China, resulting in “Shanghai Soundbites”, published in 2008. He is also well known for his architectural photography, ranging from his stunning capture of the Shanghai Expo-related Pavilions to his portrayal of Shanghai’s cityscape and skyline that are brought to life through his medium of choice and individual perspective.

Website: www.timfranco.com (Portfolio) and Flickr

SA: Tell us a bit about the person behind the (multiple) cameras you own. How long have you been in Shanghai and where and when did your love for photography come about?

TF: I have been in Shanghai for a bit more than 5 years, working and studying. I am now doing both photography, mainly documentary focused, and I also do some business where I sell equipment for remote sites around the world. The second part allows me to have a steady income and to travel a lot. I recently work quite a bit with Le Monde (France’s national newspaper) on various documentary as well as editorial (work). My passion for photography comes from my mom who is an artist based in Paris.

Continue reading ‘Behind the Camera: Tim Franco on Photographing Urban Shanghai’

05
Aug
10

The Tale of a Skaterboy

My first encounter with 万成(Wan Cheng), he yelled at me to mind my manners.

The second time I spoke with him, I had asked him to remove his shirt for me.

Let me explain.

I had spotted the group of skateboarders one weekend at The Love Park, south of the Shanghai Concert Hall (上海音乐厅南广场), and naturally began photographing from the sides. A tall, lanky boy called out sharply, “If you want to photograph us, at least ask for permission!”

That was Wan Cheng.

I also spotted several tattoos on some of the young men. Not body tapestry like what we’d imagine on a Japanese yakuza or Hong Kong 古惑仔 (gu wai zai in Cantonese), but more modest and minimal.

One in particular stood out. The same lad who called me out the first time had a face tattooed on his shoulder blade. I returned the following week, psyching myself for some major attitude and potential rejection. Amusingly enough, I approached a group of lads and asked around to their bewilderment, “Err, do you have a tattoo on your back. No, not you? What about you? Can I lift up your shirt? No, okay.” Surprisingly, after I explained myself to Wan Cheng, his curious scowl turned into a smile and all was well with the universe.

That’s when I asked him to take his shirt off.

It turned out that the tattoo was of his mother. She lives in Nanjing and as he was busy working in Shanghai, rarely visits her. He decided to permanently ink her portrait on himself. Or rather, it was a portrait of her when she was 22. “Sure, I miss her sometimes,” he said.

The tattoo process took 3 hours given its size. “It was definitely very painful.” he winced, absently rubbing his back at the memory. The affected skin peeled for a few weeks after as it slowly healed.

He volunteered a picture of his mother that he carried in his wallet, carefully pulling out with grimy hands. The young woman in the studio portrait had a small smile and her hair in a tidy plait over the shoulder, a hairstyle reminscent of the time period.

When Wang Cheng grinned, I was startled by how mother and son looked remarkably alike with their small eyes and straight teeth.

Surrounding boys clamoured around us, wanting to have a look as well. A few teased and some guffawed but not in a disrespectful way, I could tell one younger boy was a bit confused by the whole situation.

Would anyone dare utter ‘mother’s boy’ in the situation? I doubt it. Risk Wan Cheng smashing his skateboard over your head? I’m merely kidding. But he did fling his skateboard into the bushes out of frustration when he couldn’t quite master a maneuver. He lost a wheel in the process and had to retire for the afternoon.

I’ve kept in contact with Wan Cheng since then, updating him with the last story and clarifying facts of skateboarding in China. I asked him how his skateboarding friends felt about my last blog post on them. He said, “In the public’s eye, we are all bad boys. There aren’t too many who try to understand us. They’d be pleased.”

Read more stories on Shanghai’s skaterboys here.

03
Aug
10

Skaterboys

I was “chasing” 4 o’clock shadows at the intersection of 金陵东路 (Jinling Dong Lu) and 西藏南路 (Xizhang Nan Lu) when I heard a loud whoops and whooshes of skater wheels on concrete coming from a distance.

In a large square behind the Shanghai Concert Hall (Update: I have been kindly informed that the area is also called The Love Park (LP among sb folks)), a group of sweaty young men were practicing a variety of maneuvers with utmost seriousness. It was a mixed crowd of mostly amateurs diligently mastering the basics: the “Ollie”, “kickturns”, “board slides”, “kickflips” before graduating to more intermediate moves. (for an always educational list of skateboarding terms, refer here)

They checked in with each other’s progress. “你的Ollie 还这么样吗?” (“How is your Ollie coming along?”) (“Yea, still getting there.” “Which maneuver are you up to now?”)

From a distance, a tall, skinny boy in a purple tee with zig-zags and black skinny jeans was riding out momentum to “air” (ride all 4 wheels in the air) over a set of steps while tapping the board into a full rotation. The result sent him into a full-bodied sprawl on the ground. Sensing no bodily damage, he was up and about repeating the maneuver.

At one point, as I began photographing them, a topless and tough-looking boy eyed me from a distance. “If you want to shoot us, don’t make us look bad.” I was a little perplexed by this and asked what he meant by that. He shrugged and said, “Nothing, as long as you think there’s no problem, we’re cool.” Losing all interest in my presence, he went back to his skateboard.

I sat on the sides and began observing the crowd’s reaction to them. Some curious passers-by would slow down, others simply cut right through their activity without a blink of an eye. The occasional young lass in a short skirt always created a pause in all skateboarding activity for an appreciative gaze.

Children were the most intrigued. At one point, a mother tugged at her son who stood riveted by the skaterboys, “Look at them.” She sneered. “If you don’t do well in school, this is what happens to you.” The young child grinned to himself at the possibility, probably not the best parenting move.

Han Minjie or Jeff Han, considered the “father of skateboarding in China” (more about him next time), once said that the perception of skateboarding in China is still too ‘underground’ (rebellious, individual, dangerous).

It made me think of William Blake’s great quote, “If the doors of perception were cleansed, everything would appear as it is – infinite”. While we were in a public space, the typical passer-by knew little about the skaterboys and what they were about.

Maybe it was because they looked a little intimidating with their tattoos and body scars from too much practice, but listening to the skateboarders discuss at length techniques and paraphernalia with the seriousness of an engineer, it’s hard to be negative.

Just then, the sound of flesh and bones connecting, once again, with concrete caught my attention. I winced. A young amateur sitting next to me stared at the boy in question dust himself off and said to no one in particular, “Man, I wish I could do that.”

July 2010

27
Jul
10

A day of rest

He was sitting alone, surrounded by concrete sand and mud, reading a newspaper on top of a tiny table. Behind him was his home, a large blue storage container which served as temporary accommodations for workers on that construction site.

I greeted him good day. “No work today, sir?” I asked, motioning my camera for permission.

He smiled, his crow’s feet pressed together to form a startling handsome face. I was so struck, not just by his genial disposition but by how perfectly framed his face was by his beard and hair, colored evenly with grey, black and white.

For a moment, I knelt there, mesmerized by his features while he stared back, not so much at me but past my shoulder at something else. I repeated myself, asking if he was enjoying his day off.

Suddenly, a voice boomed out from the side. “Today’s Sunday! We’re not working. What are you doing here anyway?” A large and portly middle-aged man, in nothing but a pair of bright red briefs, was in mid stride to the container when he spotted me. Standing firm with his legs apart and hands on hips, he waited for an explanation while I tried very hard to look anywhere but his underwear.

I didn’t recall what I stammered in response, only the image of the smiling old man who quietly acknowledged my departure.

July 2010

22
Jul
10

Behind the Camera: 唐颖 Tang Ying on Street Photography

唐颖 (Tang Ying) is a Shanghai native and has studied in Japan and the US. Ying honed her street photography while working in San Francisco as a freelance cameraperson and video editor. She later studied photography at the New York Institute of Photography and the School of Photography of C.C.S.F. Her work has been featured in the San Francisco Chronicle, San Francisco Magazine and she has worked for The New York Times, IHT and Shanghai TV Magazine. Her street photography is filled with stories that sparkle with action and wit, a reflection of a unique perspective and style.

Website: http://www.yingphotography.com/

SA: Tell us more about yourself and your work. How and when did you pick up the camera?

唐颖: 我是在四年前开始街道摄影的,那时我住在旧金山,没有很多的钱投资在摄影器材上,也没有能力到处去旅游,所以我的摄影对象是旧金山的街道,那里的人。我纪录我有兴趣的人和事。不同与其他的摄影,街道摄影不需要有很昂贵的器材,我现在还用同样的器材。用最基本的镜头。我认为照片一定要有故事性才会吸引人,所以我到现在没有更换我的装备还是用同样的镜头和照相机。 我认为街道摄影之所以让我如此着迷也是因为其故事性,人文性,还有无法揣摩的突发性。所以几乎所有的街道摄影者都必须花很多时间和耐心去挖掘所谓的”decisive moment”。

I started street photography four years ago when I was living in San Francisco. I did not have much money to invest in photography equipment, or do much travelling, so my subjects were San Francisco’s streets and its people. I documented people and things that interested me.

Unlike other forms of photography, you don’t need expensive equipment for street photography – I still use the same equipment and basic lenses. I believe that photos must have a narrative element to draw people so I have yet to change my set up. What fascinate me about street photography are the narrative and humanistic elements, and its sudden and unexpected nature. This is why street photographs have to spend a lot of time and have patience to capture that “decisive moment”.

Continue reading ‘Behind the Camera: 唐颖 Tang Ying on Street Photography’

19
Jul
10

And then the sun came out to play

This past weekend, the sun came out in its full glory, accompanied by clear blue skies and thin wisps of clouds.

For weeks, Shanghai endured a perpetual haze, gloomy skies and temperamental showers. “Plum rain” or 梅雨 (mei yu) – heavy precipitation and constant rain which occurs for several weeks at a stretch during early summer in the Yangtze River Delta – is more or less over.

But what this means also is that we’re now in the throes of a harsh summer. Today, the city is sweltering in 35 degree (95 Fahrenheit) heat, where mere breathing can cause a person to break out in sweat. And we all know it’s only going to get worse.

On the upside, the witching hours of the late afternoon, for a street photographer, are magical. Basking in the brilliance of an afternoon sun after weeks of gloom and rain, clear and stark shadows come out to play.

Everywhere you turn, everything you see, has so many possibilities that are ripe for the picking. You view the world in a third dimension where shadows speak a secret language that you only understand through your lens.

July 2010




All rights reserved

Please do not use content from this website without the author's permission.

Archives

Twitter Updates

Error: Twitter did not respond. Please wait a few minutes and refresh this page.

May 2017
M T W T F S S
« Sep    
1234567
891011121314
15161718192021
22232425262728
293031